The performance is a homage to the artist Jill Smith who regards her performances as actions, that have a depth of spiritual reality for her and are often despite this term, still and silent contemplations. Contemplation as a thematic within the physical installation of the spiral enables curated moments of stillness and a temporality of being, for both herself and invited participants. Walking into the spiral celebrating the lineage and lore of its makers.

Reading these as an instinctive response to the forces of the people making it, they offer insight into the creation of the truly magickal, discernible through the disciplines of both science and archaeology. Drawing and mapping, pausing for stillness, naming a truth and taking one small aligned action, you build a foundation for lasting change. The work is based on ‘instructions drawings’ for another person to execute. The methodology gained prominence in the 1960s during the Fluxus Movement, and artists like Sol Lewitt and Yoko Ono prioritising the idea and process over the final object. The beauty being that the instructions can be interpreted in various ways making each execution or performance in this instance unique.